FOUR MAJOR PLAYS

In his four last plays Federico Garcia Lorca offered his disturbed and disturbing personal vision to Spanish audiences of the 1930s -unready, as he thought them, for the sexual frankness and surrealexpression of his more experimental work. The authentic sense ofdanger of Lorca's theatre is finely conveyed here in John Edmunds'sfluent and rhythmic new translations that lend themselves admirably to performance. Contains: Blood Wedding, Yerma, The House of BernardaAlba, Dona Rosita the Spinster.